Cindy Sherman's Untitled Film Stills, a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our perso...(展开全部)

Cindy Sherman's Untitled Film Stills, a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our perso...(展开全部)

Cindy Sherman's "Untitled Film Stills," a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our per...(展开全部)

Cindy Sherman's "Untitled Film Stills," a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our per...(展开全部)

Nobody could capture the Phantom. She was the wildest mare on Assateague Island. They said she was like the wind, that the white "map" on her shoulders was her mark of freedom. Paul and Maureen Beebe had their hearts set on owning her. They were itching to buy and tame her; and worked hard to earn the money she would cost. But the roundup men had tried to capture her and ...(展开全部)

Nobody could capture the Phantom. She was the wildest mare on Assateague Island. They said she was like the wind, that the white "map" on her shoulders was her mark of freedom. Paul and Maureen Beebe had their hearts set on owning her. They were itching to buy and tame her, and worked hard to earn the money that she would cost. But the roundup men had tried to capture her and f...(展开全部)

Nobody could capture the Phantom. She was the wildest mare on Assateague Island. They said she was like the wind, that the white "map" on her shoulders was her mark of freedom.Paul and Maureen Beebe had their hearts set on owning her. They were itching to buy and tame her, and worked hard to earn the money that she would cost. But the roundup men had tried to capture her and fo...(展开全部)

Die cut pages bring surprise after surprise in this magical new book from the "Queen of the concept book"--an intricate and satisfying homage to green, the color of all creation. How many kinds of green are there? There's the lush green of a forest on a late spring day, the fresh, juicy green of a just-cut lime, the incandescent green of a firefly, and the vivid aquamarine of a...(展开全部)

Die cut pages bring surprise after surprise in this magical new book from the "Queen of the concept book"--an intricate and satisfying homage to green, the color of all creation. How many kinds of green are there? There's the lush green of a forest on a late spring day, the fresh, juicy green of a just-cut lime, the incandescent green of a firefly, and the vivid aquamarine of a...(展开全部)

Written in 1923, "Green Wheat "is set in a villa in Brittany and is a story of burgeoning sexuality. This edition does more than meet Rogow's mark "to do justice to Colette's enormous talent," it presents a great classic to the world once again.From the Translator's Preface: Of her more than twenty books, "Green Wheat "is perhaps Colette's most polished, most perfect. It was in...(展开全部)